Juxtapoz Magazine – Philip Akkerman “Self Portraits 1983—2024” @ Richard Heller Gallery, Santa Monica
The self-portrait takes up an extraordinary position in most artists' oeuvres. Traditionally they are rare depictions of the state of ...
The self-portrait takes up an extraordinary position in most artists' oeuvres. Traditionally they are rare depictions of the state of ...
Sim Smith is proud to announce Corri-Lynn Tetz’s first UK solo exhibition Tender Buttons. Corri-Lynn Tetz is a Canadian artist whose practice ...
Jaime Muñoz speaks about the movement unlike many artists working today. He paints the movement of labor, not directly, but ...
Calida Rawles envisions water as a space for Black healing and reimagines the African American community beyond the stories we ...
Brooklyn-based artist Sabrina Bockler has a utilitarian view of love. Maybe not in her personal life, but in the way ...
Kyle Dunn’s luminous paintings dramatize themes of intimacy and alienation. In alluring domestic scenes, men perform everyday rituals against the ...
Maureen Dougherty’s first solo exhibition with BLUM is interesting because this is one of her first shows of all figurative works. ...
"You know what? I would like my work to become more accessible at some point," All Seeing Seneca told me ...
The first thing you notice is the intricacy of the textiles and the depth of the color. I had been ...
This one means a lot to us and our friends at Slowtide. In May, LA-based artist Nathan Kostechk was in ...
© 2024 Art Bracket LLC