My First Movie: Debut Feature Film Composer Randall Taylor Cuts Through the Red Tape
In this series of special guest posts, we’re asking first-time filmmakers of every discipline (writers, producer, directors, whatever) to share ...
In this series of special guest posts, we’re asking first-time filmmakers of every discipline (writers, producer, directors, whatever) to share ...
Sean Slatter speaks to the pair about how their friendship has allowed for a fun approach to the scoring process. ...
As the book explains, Ifukube had a personal connection to the underlying message in the film. He called himself a ...
Bernardo Bertolucci, with whom he worked a handful of times, reflects on the way that Morricone’s music overwhelms the listener: ...
Slash has lent his talents to composer Bear McCreary’s new song “The End of Tomorrow,” off his upcoming concept album ...
Richard Horowitz, the composer and pianist who won a Golden Globe Award for his soundtrack, with Ryuichi Sakamoto, to The ...
Translated literally, momento mori is a Latin phrase meaning "remember you must die." In practice, a momento mori is a trope, ...
Peter Eotvos, a towering Hungarian composer and conductor who linked modernist traditions in 20th-century European music and whose multifaceted work ...
In the scene where Luke and Leia first meet, the background music suggests plenty of romantic intrigue. The dialogue between ...
“The encounter with Weill’s music, which I had never heard before because it was not allowed to be played in ...
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