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Master guitarist and Brooklyn underground mainstay Wendy Eisenberg’s new album is about getting LASIK surgery. Lying under the laser in a bright white operating room, they experienced what it might feel like to be the lens of a camera, absorbing light but unable to process it. “Got my eyes fixed up,” she sings warily on Viewfinder’s opening track, “Lasik,” as anxiously yappy plucks on a single guitar string insist themselves upon the slower, more reticent bass, brushed cymbals, and trombone. “Sent home to rest, I stayed awake / And watched my eyes grow stronger / Watched everything get clearer.” It’s an immediately engaging opener that might reasonably lead an uninitiated Wendyhead to expect a full album of tightly wound, jazzy art songs. Considering her track record for bold experimentation, though, her ensuing left turn isn’t shocking. It’s still exciting, though: The rest of the double LP’s first disc, culminating in the symphonic “Afterimage,” traverses open seas of free jazz between continents of pulsing, tonal landmasses, though even these tend to undergo tectonic shifts in real time. “Set a Course” opens disc two with unaccompanied vocals that dissolve into dissonant instrumental tangles. Later, the boundaries between the strange and the familiar shift in and out of focus, as Eisenberg molds earlier motifs into newly mottled clay. — Raphael Helfand
Hear it: Spotify | Apple Music | Bandcamp
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