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Growing up between Jacksonville, Florida, and Reading, Pennsylvania, Krieger was raised Catholic and started writing songs in the third grade; music and religion inspired a similar awe. She started to question her faith in high school, but that worldview isn’t something she can just shake off. She’s been thinking about that lately, she says, while listening to Sufjan Stevens’s Carrie & Lowell.
“I wrote something recently that felt like speaking to the God that you once prayed to every night,” she says. “That’s still very much a part of the way that my brain works naturally. I also have an equally strong pull towards nihilism, but in a comforting way. I feel comforted also by the fact that maybe nothing matters.”
That’s clearest on “Where You Want to Go,” which has a whisper-quiet grandeur that recalls middle-era Elliott Smith. “If you don’t like the way that it’s going then maybe just / Sit back and wait for the sky / To come crashing over / In the blink of an eye.”
Krieger lays it out plainly on our call: “Fuck where you’re going, forget from where you came,” she says. “It’s about embracing the almost ecstatic energy that can come into your life when you just stop worrying and embrace the heights and the depths of your emotion.”
You can hear it in the mix too. Art of the Unseen Infinity Machine was recorded live in the studio across four days. It is unvarnished, preserving the warmth of the guitars on “Never Arriving” and the daydreamy electric folk of “I’m So Happy I Cannot Face Tomorrow.” The closer, “New Mexico,” is just Krieger alone above two delicate electric guitars, and it’s more arresting for that intimacy.
It represents a significant shift in her outlook. “I think it’s growth, getting older,” she says. “Maybe coming into contact with more chaos.” Krieger shuffles around a little on the bed she had to flee from last summer.
“But there’s always chaos,” she says. “There’s always the unexpected hanging right above you. Sometimes it’s really beautiful and exciting and positive, and sometimes it’s really dark and negative and destructive. That’s just how it goes.”
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